| 2019 | Hegel’s racism for radicals | Rei Terada |
| 2019 | Humor and the Law of Rights: Voltaire’s Cosmopolitan Optimism and Emile Habiby’s Dissensual Pessoptimism | Liron Mor |
| 2019 | Resistance into Incitement: Translation, Legislation, ‘Early Detection’ and the Palestinian Poet’s Intention | Liron Mor |
| 2018 | Saturated Crime: Pope.L’s Reenactor | Rei Terada |
| 2017 | Settler Colonialism | Alicia Cox |
| 2017 | Translation Theory in a Comparative Literature Department | Jane O. Newman |
| 2016 | Mediating Amicably? The Birth of the Trauerspiel out of the Letter of Westphalia | Jane O. Newman |
| 2016 | Recovering a Sovereign Erotic: Two-Spirit Writers 'Reclaim a Name for Ourselves' | Alicia Cox, Ed. Deborah Lea Madsen. |
| 2015 | The ‘German’ Origin of the Birth of Theory | Jane O. Newman |
| 2014 | Remembering Polingaysi: A Queer Recovery of No Turning Back as a Decolonial Text | Alicia Cox |
| 2012 | Hegel’s Bearings | Rei Terada |
| 2011 | Looking at the Stars Forever | Rei Terada |
| 2011 | Out of Place: Free Speech, Disruption, and Student Protest | Rei Terada |
| 2011 | The Frailty of the Ontic | Rei Terada |
| 2011 | The Life Process and Forgettable Living | Rei Terada |
| 2010 | The Open Access Debate | Eyal Amiran |
| 2010 | The Rhetoric of Digital Utopia after Sade: Utopian Architecture and the Static Subject of Digital Art | Eyal Amiran |
| 2009 | Classics and Counterpublics in Nineteenth-Century Historically Black Colleges | Susan C. Jarratt |
| 2009 | Living a Ruined Life: De Quincey Beyond the Worst | Rei Terada |
| 2008 | After the Critique of Lyric | Rei Terada |
| 2008 | Narratives and Deep Histories: Freyre, Arguedas, Roa Bastos, Rulfo | Adriana Michèle Campos Johnson |
| 2007 | Epigones in the House of Language: Benjamin on Kraus | Alexander Gelley |
| 2007 | Scruples, or, Faith in Derrida | Rei Terada |
| 2006 | Everydayness and Subalternity | Adriana Michèle Campos Johnson |
| 2006 | Revolution in Abstraction | Eyal Amiran |
| 2006 | Transnational Identifications: Biliterate Writers in a First-Year Humanities Course | Susan C. Jarratt |
| 2005 | Seeing is Reading | Rei Terada |
| 2005 | Subalternizing Canudos | Adriana Michèle Campos Johnson |
| 2005 | We, the Future of Jacques Derrida | Eyal Amiran |
| 2004 | Phenomenality and Dissatisfaction in Coleridge’s Notebooks | Rei Terada |
| 2004 | Queer at Last? Straight Intellectuals and the Desire for Transgression | Annette Schlichter |
| 2004 | The War of the End of the World or the end of ideology | Adriana Michèle Campos Johnson |
| 2004 | Thinking for Oneself: Realism and Defiance in Arendt | Rei Terada |
| 2003 | Critical Madness, Enunciative Excess: The Figure of the Madwoman in Postmodern Feminist Texts | Annette Schlichter |
| 2002 | Philosophical Self-Denial: Wittgenstein and the Fear of Public Language | Rei Terada |
| 2002 | Salman Rushdie - Postmodernism: The Key Figures | Eyal Amiran |
| 2002 | Sappho’s Memory | Susan C. Jarratt |
| 2001 | La peregrinación de Bayoán: writing (and failing) in the house of pilgrims | Adriana Michèle Campos Johnson |
| 2000 | After Dynamic Narratology | Eyal Amiran |
| 2000 | Pathos (Allegories of Reading) | Rei Terada |
| 1999 | Contexts of the Aesthetic in Walter Benjamin | Alexander Gelley |
| 1999 | Imaginary Seductions: Derrida and Emotion Theory | Rei Terada |
| 1999 | On the Myth of the German-Jewish Dialogue: Scholem and Benjamin | Alexander Gelley |
| 1999 | Reading Roberto Schwarz: Outside Out-of-Place Ideas | Adriana Michèle Campos Johnson |
| 1998 | De Man and Mallarmé ‘Between the Two Deaths | Rei Terada |
| 1998 | The Publishing Imaginary and Electronic Media | Eyal Amiran |
| 1997 | Electronic Time and the Serials Revolution | Eyal Amiran |
| 1996 | Against Narratology: Postmodern Narrative Returns | Eyal Amiran |
| 1996 | De Man, Blanchot, and the Fate of the Past | Rei Terada |
| 1996 | The Rhetoric of Serials at the Present Time | Eyal Amiran |
| 1995 | Austin and Antin about "About" | Rei Terada |
| 1991 | Refereed Electronic Journals and the Future of Scholarly Publishing | Eyal Amiran |