Comparative Literature Program - Course Descriptions
Fall Quarter
Dept | Course No and Title | Instructor |
---|---|---|
COM LIT (F25) | 10 SPORTS & LITERATURE | STAFF |
CL 10: Sports and Literature From ancient epics to modern stadiums, sports have always been more than games—they are sites of spectacle, myth-making, identity formation, and resistance. This interdisciplinary course explores how athletic competition becomes a stage on which larger cultural, political, and ideological battles are played out. Whether in the funeral games of Homer’s Iliad, Leni Riefenstahl’s widely acclaimed Nazi sports propaganda films, or the highly publicized tennis match between Billie Jean King and Bobby Riggs, sports are a socially significant practice, central to the way we tell stories about ourselves and others. Each section of the course introduces students to a new set of sports-related questions as much of interest to anthropology as literary studies. Engaging literary texts, films, and theoretical readings, we will ask how concepts like race, gender, and nationality circulate through athletic bodies in motion. In short: why do sports matter so much, and to whom? | ||
COM LIT (F25) | 10 REFUGEES& DETENTION | MOR, L. |
No detailed description available. | ||
COM LIT (F25) | 60A WORLD LITERATURE | NEWMAN, J. |
No detailed description available. | ||
COM LIT (F25) | 105 CALIFORNIA LIT | GAMBER, J. |
CL 105: California Literature “California is a story.” So begins Deborah Miranda’s Indigenous memoir Bad Indians. What kinds of stories shape our state? What do those stories tell us about our relationships to place and to each other? This course will examine both realist and speculative literatures not only set in California, but in which the state plays a major role. We’ll pay attention to texts by Native American, African American, Asian American, Latinx, and Arab American authors and the ways their narratives augment and complicate various constructions of what California is, has been, and should be. | ||
COM LIT (F25) | 123 DECOLONZNG CLASSICS | GIANNOPOULOU, Z. |
No detailed description available. | ||
COM LIT (F25) | 130 WOMEN MYSTICS | COLMENARES GON, D. |
No detailed description available. | ||
COM LIT (F25) | 143 LIT, ART, MEDIA | FARBMAN, H. |
No detailed description available. | ||
COM LIT (F25) | 160 INDIGENOUS FILM | GAMBER, J. |
CL 160: Global Indigenous Film This class engages in central issues of Indigeneity and explores contemporary film, video games, and literature created by Indigenous people from nations including those currently called Canada, New Zealand, Australia, Taiwan, and Sweden. Primary questions we will address this include: What does it mean to be Indigenous? How do contemporary Indigenous people represent themselves? What issues are important to specific Indigenous communities? What issues are important across Indigenous communities? We will further pay particular attention to representations of gender and sexuality and human relationships to the other-than-human across these works. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | AMIRAN, E. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | CARROLL, A. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | COLMENARES GON, D. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | JOHNSON, A. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | HARRIES, M. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | MOR, L. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | RAHIMIEH, N. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | SCHWAB, G. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | TERADA, R. |
No detailed description available. | ||
COM LIT (F25) | 199 INDPT STDY COMP LIT | STAFF |
No detailed description available. |