Course Descriptions
Fall Quarter
| Dept | Course No and Title | Instructor |
|---|---|---|
| FLM&MDA (F25) | 85 INTRO FILM ANALYSIS | MIMURA, G. |
| Introduces the language and techniques of visual and film analysis. Teaches students to analyze the moving image; emphasize framing, camera movement, and sound; and conveys how editing produces meaning, reproduces historical ideologies, fosters or disrupts narrative, and cues spectators. Materials fee. Prerequisite: Satisfaction of the UC Entry Level Writing requirement. | ||
| FLM&MDA (F25) | 87 NEW MEDIA & DIGITAL | KAMIL, M. |
| No detailed description available. | ||
| FLM&MDA (F25) | 101C CONTEMPORARY ERA | DAULATZAI, S. |
| No detailed description available. | ||
| FLM&MDA (F25) | 110 FILM & MEDIA THEORY | LIU, C. |
| No detailed description available. | ||
| FLM&MDA (F25) | 110 FILM & MEDIA THEORY | LIU, C. |
| No detailed description available. | ||
| FLM&MDA (F25) | 117A INTRO SCREENWRITING | CARTIER, M. |
| Students learn about "the world of the screenwriter" by reading and studying screenplays, and writing parts of them-including the beat outline, treatment and character biography. Assignments include reading, viewing and analyzing selected films; and writing short essay responses to prompts that explore facets of the screenplay such as structure, character and theme. The final grade is based on participation, attendance, discussion board posts, and a traditional feature length screenplay project. | ||
| FLM&MDA (F25) | 118A WRITING TV I | SARACENI, M. |
| No detailed description available. | ||
| FLM&MDA (F25) | 120A BASIC PRODUCTION | CANE, E. |
| No detailed description available. | ||
| FLM&MDA (F25) | 120A BASIC PRODUCTION | CANE, E. |
| No detailed description available. | ||
| FLM&MDA (F25) | 120A BASIC PRODUCTION | TRUONG, N. |
| No detailed description available. | ||
| FLM&MDA (F25) | 130 SOLIDARITY CINEMA | DAULATZAI, S. |
| No detailed description available. | ||
| FLM&MDA (F25) | 130 INDIGENOUS FILM | GAMBER, J. |
| No detailed description available. | ||
| FLM&MDA (F25) | 130 ASNAM DOCUMTRY | CHO, J. |
| No detailed description available. | ||
| FLM&MDA (F25) | 130 LATINAS/OS IN MEDIA | DAULATZAI, S. |
| No detailed description available. | ||
| FLM&MDA (F25) | 139W WRITING ON FILM&MDA | HAGGINS, B. |
| No detailed description available. | ||
| FLM&MDA (F25) | 139W WRITING ON FILM&MDA | HAGGINS, B. |
| No detailed description available. | ||
| FLM&MDA (F25) | 139W WRITING ON FILM&MDA | KRAPP, P. |
| We live in a world full of computing devices, networked and portable, "smart" and almost invisible. One aim of a history of computing is to explore how the computer becomes a meta-medium. This course traces neither a history of the industry, nor a history of calculating devices, but follows the contours of debating the history of computing. Historicizing the conceptual inventory of digital culture from analog and early digital machines to mainframes and from minicomputers and microcomputers to the creation of decentralized networks, this course asks how the world got into the computer. | ||
| FLM&MDA (F25) | 144 SURVEILLANCE | KAMIL, M. |
| Computing and digital technologies were developed during the Cold War and WWII. The foundations of new media technologies are imbricated in questions of surveillance. In this course, we will trace anxieties around surveillance technology from postwar Germany to 9/11 era legislation to contemporary concerns about targeted advertisements and algorithmic logics. | ||
| FLM&MDA (F25) | 144 DISINFORMATION | KRAPP, P. |
| Long before computer networks and social media, disinformation had been recognized as a dangerous development of mass media. But arguably digital media have even more successfully weaponized disinformation. That awareness in turn has led to the competing development of regulation attempts and of exploitation techniques. This course will focus less on ideological debates around what partisans (on one side or another) call 'fake news' | ||
| FLM&MDA (F25) | 144 VIDEO GAME ELECTIVE | SODERMAN, A. |
| No detailed description available. | ||
| FLM&MDA (F25) | 151 ACTIVIST MEDIA | EKANAYAKE, A. |
| No detailed description available. | ||
| FLM&MDA (F25) | 160 KOREAN CINEMA | KIM, K. |
| No detailed description available. | ||
| FLM&MDA (F25) | 192 DIRECTING NARRATIVE | DAUCHAN, D. |
| No detailed description available. | ||
| FLM&MDA (F25) | 192 SOUND | STAFF |
| No detailed description available. | ||
For the most up-to-date information, check the Schedule of Classes.