French Undergraduate Course Descriptions
Fall Quarter
| Dept | Course No and Title | Instructor |
|---|---|---|
| FRENCH (F24) | 1A FUNDAMENTALS | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 1A FUNDAMENTALS | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 1A FUNDAMENTALS | KLEIN, L. |
| No detailed description available. | ||
| FRENCH (F24) | 1A FUNDAMENTALS | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 1A FUNDAMENTALS | KLEIN, L. |
| No detailed description available. | ||
| FRENCH (F24) | 1C FUNDAMENTALS | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 2A INTERMEDIATE | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 2A INTERMEDIATE | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 2A INTERMEDIATE | KLEIN, L. |
| No detailed description available. | ||
| FRENCH (F24) | 10 PEER TUTOR PROGRAM | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 102A GRAMMAR/COMPOSITION | STAFF |
| No detailed description available. | ||
| FRENCH (F24) | 119 19TH CENT FREN LIT | STAFF |
| No detailed description available. | ||
| FRENCH (F24) | 160 EURO HORROR CINEMA | BEY-ROZET, M. |
| European Horror Cinema What is “European Cinema”? Is “European” merely a geographical and national descriptor? Or does it refer to a cultural specificity that goes beyond national borders? What, if anything, makes up the European-ness of films originating from France, Norway, Spain, Sweden, etc.? This class will be designed to bring tentative answers to these questions through discussion and critical examination of what Ian Olney has called “Euro-Horror.” The quarter will be divided in separate units, each dedicated to the representation of European folk tales, legends and monsters in horror cinema (e.g. “Vampires,” “Witches,” “Cannibals”). In addition to this culturally inflected examination of what is European in European cinema, considerable attention will be devoted to the history and current state of funding structures in the European Union, financial aid programs, and the prestigious European film festival circuit. As such, this class will be equal parts film analysis and industry studies, as we negotiate the tensions between European identity and the strong national identities that compose it. | ||
| FRENCH (F24) | 199 INDEPENDENT STUDY | VAN DEN ABBEEL, G. |
| No detailed description available. | ||
| FRENCH (F24) | 199 INDEPENDENT STUDY | STAFF |
| No detailed description available. | ||
| FRENCH (F24) | 199 INDEPENDENT STUDY | LITWIN, C. |
| No detailed description available. | ||
| FRENCH (F24) | 199 INDEPENDENT STUDY | MIJALSKI, M. |
| No detailed description available. | ||
| FRENCH (F24) | 199 INDEPENDENT STUDY | NOLAND, C. |
| No detailed description available. | ||
