ASIANAM Course Descriptions for 2013-2014

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Summer I Course Descriptions
CourseTitleInstructorDescription
ASIANAM 53ASAM &COMP RACE RELVALAYDEN, C.The notion of risk is ubiquitous today. We are told that ‘avian flu’ or the SARS virus originating in Asia present health risks to the planet (e.g. as represented in Steven Soderbergh’s movie Contagion), while paradoxically risk-taking on the stock market is celebrated in the media and popular culture. This course looks at the intersection of risk and race in the construction of ‘Asian America.’ We will start by investigating how risk fundamentally defines belonging in modern societies from the late 19th century onwards, and how race simultaneously served to classify and analyze particular events and issues as risk. By looking at how citizenship, public health, residential segregation and environmental issues are analyzed through the frameworks of risk and race, this course provides a new way to understand the evolving construction of Asian American collective identity. We will draw on various academic articles and monographs, photographs, movies, and blogs to enrich our analysis of the role of risk and race in the making of ‘Asian America.’
ASIANAM 114MRTL ARTS:GNDR&NATNSHROFF, B.This course combines viewing and analyzing the use of "martial arts" in transnational film. The films span the geographies of Asian America and Asia. We analyze how the "martial arts" genre has complicated issues of gender, and race, especially within a transnational context. We discuss how films like Once Upon A Time in China and America represent Asian American masculinity in the geography of the "Wild West" and films like Romeo Must Die represent Black and Asian masculinity within the context of African American and Asian American racial politics. We examine how butt-kicking women warriors like Michelle Yeoh and Cynthia Rothrock disrupt gender norms in films like Yes, Madam and Super Cop. The selection of films will include Rush Hour, Karate Kid and Crouching Tiger Hidden Dragon.